A Handbook of Greek Art by Gisela Richter's classic book, first published in 1959, is the indispensable introduction to the study of Greek art: clear, factual, authoritative, and at the same time inspired and sensitive in its understanding and appreciation of the masterpieces it discusses. Lucidly arranged according to subject matter, the richly illustrated text covers architecture, large sculptures, statuettes, paintings and mosaics, gems, coins, jewellery, pottery and vase painting, furniture, textiles, glass, ornament and epigraphy. A companion volume, A Handbook of Roman Art, is available from Phaidon.
History of Greek Art by A large scale illustrated history of Greek art from the Archaic to the Hellenistic period. Professor Robertson's treatment is chronological rather than topical; he presents changes in the different branches of representational art as aspects of a single historical developement, concentrating on the genuinely Greek and markedly different artistic tradition whose first impulse appears at about 1000 BC and that atrophies eventually in the first century BC.
The Oxford History of Classical Art by Lying at the heart of the Western classical tradition, the rich legacy of the arts of ancient Greece and Rome continues to provide inspiration and guidance to artists and art lovers everywhere. Lavishly illustrated and masterfully prepared under the editorship of John Boardman, one of the world's preeminent classicists, The Oxford History of Classical Art offers readers the definitive companion to the artistic and architectural achievements of the Greco-Roman world, from the rise of the Greek city-states to the fall of the Roman Empire. Written by Boardman and a team of distinguished experts, this sumptuous volume presents the full pageantry and glory of the classical world, tracing the origins and evolution of classical art as it gradually moved from the art of individuals and small communities to the art of a world power. Particular attention is paid throughout to the splendor and quality of the arts themselves, aptly represented in 528 stunningly beautiful black and white and full-color plates. From the stiffly representational style of early antiquity and the oriental influence of Egypt and Mesopotamia to the full flowering of the Greece's Golden Age, text and illustrations work together to enhance our appreciation of the fascinating process through which humanity itself became the central focus of art, and artists and artisans sought for the first time not just to imitate the natural world, but to actually improve on nature through perfection of form and composition. Turning to Rome, the contributors dramatically illustrate that Roman art was far more than a mere pastiche of Greek influences. They take an in-depth look at the Romans' profound contributions to architecture, as they used their technical progress with arch, vault, and the use of brick and concrete, to create new attitudes to the use of space and light and principles of design which went far beyond the more limited ambitions of the Greek world. Destined to become the definitive sourcebook in its field, The Oxford History of Classical Art is indispensable for anyone intrigued by the timeless heritage of the ancient world, as well as for artists and students of art and art history.
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