Use the Advanced Search option in the Library Catalog to enter terms such as composer name (as Author/Creator), title of the work, etc. and select Scores from the Resource Type menu.
Provides access to titles published since 2018 in the seven Recent Researches in Music series: Medieval, Renaissance, Baroque, Classical, 19th/20th centuries, American (including MUSA), and Oral Traditions. Users can access the complete content of scores and partbooks.
Updated continually. Provides access to the world's most comprehensive bibliography, with over 49 million bibliographic records for audio-visual materials, books, maps, musical scores, newspapers, and periodicals in 370 languages and covering information from 4,000 years of knowledge. Many of the holdings for materials at the University of Texas Libraries are included, as well as holdings for other libraries in Texas, the United States and worldwide.
Provides free access to public domain music scores and music scores of contemporary composers (or their estates) who wish to release them to the public free of charge. IMSLP follows Canadian copyright laws because the two main IMSLP servers are physically hosted in Canada.
IMSLP stands for the International Music Score Library Project and was started in 2006. The logo on the main page is a capital letter A. It was taken from the beginning of the very first printed book of music, the Harmonice Musices Odhecaton. It was published in Venice in 1501 by Ottaviano Petrucci, the library's namesake.
A prototype for an Online Musical Scores project from the University of Indiana. Contains a large amount of opera and song literature, as well as select instrumental and orchestral music.
First published in 2014, this catalogue comprises over 2000 fully searchable PDFs, each representing a single music print. The catalogue files include diplomatic transcriptions of title pages, dedications, indices, rubrics concerning liturgical occasion and performance practice, and other information useful to both scholars and performers of this and related repertories. The revision introduces a new source and corrects the entries for forty-two other sources.
