At last! Everyone's favorite no-nonsense powerhouse, America Chavez, gets her own series! What's a super-powered teenager to do when she's looking for a little personal fulfillment? She goes to college! America just has to stop an interdimensional monster or two first and shut down a pesky alien cult that's begun worshipping her exploits before work can begin. Then she can get on with her first assignment: a field trip to the front lines of World War II - with Captain America as her wingman!
Juliet Milagros Palante is leaving the Bronx and headed to Portland, Oregon. She just came out to her family and isn't sure if her mom will ever speak to her again. But don't worry, Juliet has something kinda resembling a plan that'll help her figure out what it means to be Puerto Rican, lesbian and out. See, she's going to intern with Harlowe Brisbane - her favorite feminist author, someone whose last work on feminism, self-love and lots of other things will help Juliet find her ever elusive epiphany. There's just one problem--Harlowe's white, not from the Bronx and doesn't have the answers. Okay, maybe that's more than one problem but Juliet never said it was a perfect plan...
Based on theoral history of Ramon Jaurigue, an orphan and WWII veteran who co-founded the Mexican, American, Yaqui, and Others (M.A.Y.O.) organization, which successfully lobbied the Tucson City Council to improve living and working conditions for members of the Pascua Yaqui tribe. Thanks to this period of activism, the Yaquis were federally recognized as one of the remaining Native American tribes. Meanwhile Ramon's home life suffered as his focus was pulled from family to wider community, and from domesticity to the adrenaline of the campaign. A resonant, neglected slice of American history is told for the first time.
One of the most humane, graceful and imaginatively inexhaustible artists in American popular culture, Jaime Hernandez has created in Locas one of the great American novels of the last 25 years, graphic or otherwise. Maggie's story begins in the early-1980s Southern California rock scene, when it was shifting from the excesses of glitter rock to the gritty basics of punk and new wave. She quickly befriends Hopey Glass, a feisty anti-authoritarian punkette who quickly becomes Maggie's on-again, off-again lover and a constant presence in her life throughout the book. This book contains all the Maggie stories from the first Love & Rockets series.
Before Peter Parker died, young Miles was poised to start the next chapter in his life in a new school. Then, a spider's bite granted the teenager incredible arachnid-like powers. Now, Miles has been thrust into a world he doesn't understand, with only gut instinct and a little thing called responsibility as his guides. Can he live up to Peter's legacy as Spider-Man? As Miles grapples with his new life, Miles' Uncle Aaron - A.K.A. the Prowler - learns his secret! He's got plans for his nephew, but little does he know that the Scorpion is on his tail!
Puerto Rico Strong is a comics anthology that explores what it means to be Puerto Rican and the diversity that exists within that concept, from today's most exciting Puerto Rican comics creators. Despite being a US territory, Puerto Rico is often thought of as a foreign land, if it's even a thought in the mind of the average American at all. These stories follow individuals from diverse walks of life but are all part of the culture that is Puerto Rico.
In the Latinx comics community, there is much to celebrate today, with more Latinx comic book artists than ever before. The resplendent visual-verbal storyworlds of these artists reach into and radically transform so many visual and storytelling genres. Whether it's detailing the complexities of growing up--mono- or multilingual, bicultural, straight, queer, or feminist Latinx--or focusing on aspects of pop culture, these graphic vignettes demonstrate the expansive complexity of Latinx identities. As we travel from one story to the next and experience the unique ways that each creator chooses to craft his or her story, our hearts and minds wake to the complex ways that Latinxs live within and actively transform the world.
This book explores the peculiarities of the production and reception of postcolonial and Latino borderland fiction. Frederick Luis Aldama uses tools from disciplines such as film studies and cognitive science that allow the reader to establish how a fictional narrative is built, how it functions, and how it defines the boundaries of concepts that appear susceptible to limitless interpretations. In A User's Guide to Postcolonial and Latino Borderland Fiction, he argues that the study of ethnic-identified narrative fiction must acknowledge its active engagement with world narrative fictional genres, storytelling modes, and techniques, as well as the way such fictions work to move their audiences.
The contributors’ excavations delve into: comics created by Latinos that push the boundaries of generic conventions; Latino comic book author-artists who complicate issues of race and gender through their careful reconfigurations of the body; comic strips; Latino superheroes in mainstream comics; and the complex ways that Latino superheroes are created and consumed within larger popular cultural trends.