The Black Queer Studies Collection includes ebooks and streaming film! Below are some are some of our favorite ebooks.
Please note: Some of these titles are limited to one UT Austin user at a time. User limits are noted next to each title. When you are finished reading an ebook with user limits, please close all your web browser windows and quit your web browser so that other UT Austin users can access the ebook.
Beyond the Mountain by User limits: Unlimited UT Austin users
The New Negro Aesthetic by User limits: Limited to 1 UT Austin user
Keeping It Unreal by User limits: Unlimited UT Austin users
Kwaito Bodies by
In Kwaito Bodies Xavier Livermon examines the cultural politics of the youthful black body in South Africa through the performance, representation, and consumption of kwaito, a style of electronic dance music that emerged following the end of apartheid. Drawing on fieldwork in Johannesburg's nightclubs and analyses of musical performances and recordings, Livermon applies a black queer and black feminist studies framework to kwaito. He shows how kwaito culture operates as an alternative politics that challenges the dominant constructions of gender and sexuality. Artists such as Lebo Mathosa and Mandoza rescripted notions of acceptable femininity and masculinity, while groups like Boom Shaka enunciated an Afrodiasporic politics. In these ways, kwaito culture recontextualizes practices and notions of freedom within the social constraints that the legacies of colonialism, apartheid, and economic inequality place on young South Africans. At the same time, kwaito speaks to the ways in which these legacies reverberate between cosmopolitan Johannesburg and the diaspora. In foregrounding this dynamic, Livermon demonstrates that kwaito culture operates as a site for understanding the triumphs, challenges, and politics of post-apartheid South Africa.
User limits: Unlimited UT Austin users
How We Fight for Our Lives by
From award-winning poet Saeed Jones, How We Fight for Our Lives--winner of the Kirkus Prize and the Stonewall Book Award--is a "moving, bracingly honest memoir" (The New York Times Book Review) written at the crossroads of sex, race, and power. One of the best books of the year as selected by The New York Times; The Washington Post; NPR; Time; The New Yorker; O, The Oprah Magazine; Harper's Bazaar; Elle; BuzzFeed; Goodreads; and many more. "People don't just happen," writes Saeed Jones. "We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The 'I' it seems doesn't exist until we are able to say, 'I am no longer yours.'" Haunted and haunting, How We Fight for Our Lives is a stunning coming-of-age memoir about a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence--into tumultuous relationships with his family, into passing flings with lovers, friends, and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another--and to one another--as we fight to become ourselves. An award-winning poet, Jones has developed a style that's as beautiful as it is powerful--a voice that's by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one-of-a-kind memoir and a book that cements Saeed Jones as an essential writer for our time.
User limits: Limited to 3 UT Austin users
Black Queer Freedom by
Whether engaged in same-sex desire or gender nonconformity, black queer individuals live with being perceived as a threat while simultaneously being subjected to the threat of physical, psychological, and socioeconomical injury. Attending to and challenging threats has become a defining element in queer black artists' work throughout the black diaspora. GerShun Avilez analyzes the work of diasporic artists who, denied government protections, have used art to create spaces for justice. He first focuses on how the state seeks to inhibit the movement of black queer bodies through public spaces, whether on the street or across borders. From there, he pivots to institutional spaces--specifically prisons and hospitals--and the ways such places seek to expose queer bodies in order to control them. Throughout, he reveals how desire and art open routes to black queer freedom when policy, the law, racism, and homophobia threaten physical safety, civil rights, and social mobility.
User limits: Unlimited UT Austin users
The Cancer Journals by
"First published over forty years ago, The Cancer Journals is a startling, powerful account of Audre Lorde's experience with breast cancer and mastectomy. Long before narratives explored the silences around illness and women's pain, Lorde questioned the rules of conformity for women's body images and supported the need to confront physical loss not hidden by prosthesis. Living as a "black, lesbian, mother, warrior, poet," Lorde heals and re-envisions herself on her own terms and offers her voice, grief, resistance, and courage to those dealing with their own diagnosis. Poetic and profoundly feminist, Lorde's testament gives visibility and strength to women with cancer to define themselves, and to transform their silence into language and action"-- Provided by publisher.
User limits: Limited to 2 UT Austin users
Dub: Finding Ceremony by
The concluding volume in a poetic trilogy, Alexis Pauline Gumbs's Dub: Finding Ceremony takes inspiration from theorist Sylvia Wynter, dub poetry, and ocean life to offer a catalog of possible methods for remembering, healing, listening, and living otherwise. In these prose poems, Gumbs channels the voices of her ancestors, including whales, coral, and oceanic bacteria, to tell stories of diaspora, indigeneity, migration, blackness, genius, mothering, grief, and harm. Tracing the origins of colonialism, genocide, and slavery as they converge in Black feminist practice, Gumbs explores the potential for the poetic and narrative undoing of the knowledge that underpins the concept of Western humanity. Throughout, she reminds us that dominant modes of being human and the oppression those modes create can be challenged, and that it is possible to make ourselves and our planet anew.
User limits: Unlimited UT Austin users
Amphibious Subjects: Sasso and the Contested Politics of Queer Self-Making in Neoliberal Ghana by User limits: Unlimited UT Austin users
Black. Queer. Southern. Women by
Drawn from the life narratives of more than seventy African American queer women who were born, raised, and continue to reside in the American South, this book powerfully reveals the way these women experience and express racial, sexual, gender, and class identities--all linked by a place where such identities have generally placed them on the margins of society. Using methods of oral history and performance ethnography, E. Patrick Johnson's work vividly enriches the historical record of racialized sexual minorities in the South and brings to light the realities of the region's thriving black lesbian communities. At once transcendent and grounded in place and time, these narratives raise important questions about queer identity formation, community building, and power relations as they are negotiated within the context of southern history. Johnson uses individual stories to reveal the embedded political and cultural ideologies of the self but also of the listener and society as a whole. These breathtakingly rich life histories show afresh how black female sexuality is and always has been an integral part of the patchwork quilt that is southern culture.
User limits: Unlimited UT Austin users
Toxic Silence by
Winner of the 2019 LAMBDA Literary Award in LGBTQ Studies! Toxic Silence: Race, Black Gender Identity, and Addressing the Violence against Black Transgender Women in Houston contributes to a growing body of transgender scholarship. This book examines the patriarchal and heteronormative frames within the black community and larger American society that advances the toxic masculinity which violently castigates and threatens the collective embodiment of black transgender women in the USA. Such scholarship is needed to shed more light on the transphobic violence and murders against this understudied group. Little is known about the societal and cultural issues and concerns affecting black transgender women and how their gender identity is met with systemic, institutional, and interpersonal roadblocks. During a time period in American history defined by Time Magazine as "The Transgender Tipping Point," black transgender women have emerged as social, cultural, and political subjects to advance our understanding of the lives of people who identity as a part of both the black and LGBTQIA communities. In the end, this book calls on the black community and culture to end the toxic silence and act instead as allies who are more accepting and inclusive of differing sexualities and gender identities in an effort to improve the generative power of black solidarity.
User limits: Limited to 2 UT Austin users
Unapologetic: A Black, Queer, and Feminist Mandate for Radical Movements by User limits: Limited to 1 UT Austin user
Erotic Islands by
In Erotic Islands, Lyndon K. Gill maps a long queer presence at a crossroads of the Caribbean. This transdisciplinary book foregrounds the queer histories of Carnival, calypso, and HIV/AIDS in the Republic of Trinidad and Tobago. At its heart is an extension of Audre Lorde's use of the erotic as theory and methodology. Gill turns to lesbian/gay artistry and activism to insist on eros as an intertwined political-sensual-spiritual lens through which to see self and society more clearly. This analysis juxtaposes revered musician Calypso Rose, renowned mas man Peter Minshall, and resilient HIV/AIDS organization Friends For Life. Erotic Islands traverses black studies, queer studies, and anthropology toward an emergent black queer diaspora studies.
User limits: Unlimited UT Austin users
We Are Never Meeting in Real Life: Essays by
Sometimes you just have to laugh, even when life is a dumpster fire. With We Are Never Meeting in Real Life., "bitches gotta eat" blogger and comedian Samantha Irby turns the serio-comic essay into an art form. Whether talking about how her difficult childhood has led to a problem in making "adult" budgets, explaining why she should be the new Bachelorette'she's "35-ish, but could easily pass for 60-something"'detailing a disastrous pilgrimage-slash-romantic-vacation to Nashville to scatter her estranged father's ashes, sharing awkward sexual encounters, or dispensing advice on how to navigate friendships with former drinking buddies who are now suburban moms'hang in there for the Costco loot'she's as deft at poking fun at the ghosts of her past self as she is at capturing powerful emotional truths.
User limits: Limited to 1 UT Austin user
Big Freedia: God Save the Queen Diva! by
From the eponymous star of the most popular reality show in Fuse TV's history, this no-holds-barred memoir tells the story of a gay, self-proclaimed mama's boy who exploded onto the formerly underground Bounce music scene--a hip-hop subgenre--and found acceptance, healing, self-expression, and stardom! As the "undisputed ambassador" of the energetic, New Orleans-based Bounce movement, Big Freedia isn't afraid to twerk, wiggle, and shake her way to self-confidence, and is encouraging her fans to do the same. In her engrossing memoir, Big Freedia tells the inside story of her path to fame, the peaks and valleys of her personal life, and the liberation that Bounce music brings to herself and every one of her fans who is searching for freedom. Big Freedia immediately pulls us into the relationship between her personal life and her career as an artist; being a "twerking sissy" is not just a job, she says, but a salvation. A place to find solace. To escape from the battles she faced growing up in the worst neighborhood in New Orleans. To deal with losing loved ones to the violence on the streets, drug overdoses, and jail. To survive hurricane Katrina by living on her roof for two days with three adults and a child. To grapple with the difficulties and celebrate the joys of living. In this eye-opening memoir that bursts with energy, you'll learn the history of the Bounce movement and meet all of the colorful characters that pepper its music scene. With her own unique voice and unabashed enthusiasm, Big Freedia tells how she arrived at this defining moment in music, and how Bounce ultimately has allowed her to become her own version of diva, one booty-pop at a time.
User limits: Limited to 1 UT Austin user
The Black Queer Work of Ratchet: Race, Gender, Sexuality, and the (Anti)politics of Respectability by User limits: Unlimited UT Austin users
An Unkindness of Ghosts by
Obsessive and withdrawn, Aster lives in the low-deck slums of the space vessel HSS Matilda. When the autopsy of the ship’s sovereign reveals a link between his death and the suicide of Aster’s mother, she begins sewing the seeds for civil war, and learns there may be a way off the ship if she’s willing to fight for it.
User limits: Unlimited UT Austin users
No Ashes in the Fire: Coming of Age Black and Free in America by User limits: Limited to 1 UT Austin user
Karamo: My Story of Embracing Purpose, Healing, and Hope by
An insightful, inspiring, "candid and warm" (Booklist) memoir from Karamo Brown--beloved culture expert from Netflix's Queer Eye--as he shares his story for the first time, exploring how the challenges in his own life have allowed him to forever transform the lives of those in need. When Karamo Brown first auditioned for the casting directors of Queer Eye, he knew he wouldn't win the role of culture expert by discussing art and theater. Instead he decided to redefine what "culture" could--and should--mean for the show. He took a risk and declared, "I am culture." After all, Karamo believes culture is how people feel about themselves and others, how they relate to the world around them, and how their shared labels, burdens, and experiences affect their daily lives in ways both subtle and profound. Seen through this lens, Karamo is culture: his family is Jamaican and Cuban; he was raised in the South in predominantly white neighborhoods and attended an HBCU (Historically Black College/University); he was trained as a social worker and psychotherapist; he overcame personal issues of colorism, physical and emotional abuse, alcohol and drug addiction, and public infamy; he is a proud and dedicated gay single father of two boys, one biological and one adopted. In "this soul-soothing memoir" (O, The Oprah Magazine), Karamo reflects on his lifelong education. It comprises every adversity he has overcome, as well as the lessons he has learned along the way. It is only by exploring our difficulties and having the hard conversations--with ourselves and one another--that we are able to adjust our mind-sets, heal emotionally, and move forward to live our best lives. "During every episode of Queer Eye, there's at least one touching moment where Karamo Brown drops some serious wisdom about self-love and makes everybody cry. His moving memoir about overcoming adversity captures that feeling in book form" (HelloGiggles).
User limits: Limited to 3 UT Austin users
Under the Udala Trees by
"If you've ever wondered if love can conquer all, read [this] stunning coming-of-age debut." -- Marie Claire A New York Times Book Review Editors' Choice Named a Best Book of the Year by NPR * BuzzFeed * Bustle * Shelf Awareness * Publishers Lunch "[This] love story has hypnotic power."--The New Yorker Ijeoma comes of age as her nation does. Born before independence, she is eleven when civil war breaks out in the young republic of Nigeria. Sent away to safety, she meets another displaced child and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls. But when their love is discovered, Ijeoma learns that she will have to hide this part of herself--and there is a cost to living inside a lie. Inspired by Nigeria's folktales and its war, Chinelo Okparanta shows us, in "graceful and precise" prose (New York Times Book Review), how the struggles and divisions of a nation are inscribed on the souls of its citizens. "Powerful and heartbreaking, Under the Udala Trees is a deeply moving commentary on identity, prejudice, and forbidden love" (BuzzFeed). "An important and timely read, imbued with both political ferocity and mythic beauty." -- Bustle "A real talent. [Under the Udala Trees is] the kind of book that should have come with a cold compress kit. It's sad and sensual and full of heat." -- John Freeman, Electric Literature "Demands not just to be read, but felt." -- Edwidge Danticat
User limits: Limited to 1 UT Austin user
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 Generic License.